Tuesday, 19 April 2011

It's tough whichever way...

If you want to be a musician with any degree of freedom you need to learn to do one of two very hard things: read music or play by ear.

You've got to find a way to take it in somehow, confidently and at speed. That's the bastard bit. Once you can do that it's a start, but that's the door that has to be unlocked.

Sunday, 13 February 2011

When does a revival become a living tradition?

Supposing a tradition has completely died out. Someone finds a dusty book on the topic, reads it and thinks "hey! this looks like fun". The share it with their friends and their friends and soon it's pretty popular. Our first person starts some classes, and eventually the people they taught go on to teach other people to do this thing too, and eventually their pupils do the same. There's now a social network around this activity, competitions, festivals, events.

So when does it stop being a revival and start to be a living tradition? Perhaps two or three teaching generations? Enough people doing it to disagree how it should be done? When folk are so used to it they take it for granted and stop thinking about it?

This is an important question for me as a folk harpist and one that is pretty fascinating full stop. Within the harp world there are many broken traditions currently being reconstructed and many traditions which *almost* passed into the unknown but didn't quite and are now being given well deserved love. In Europe we see a really strong resurgence of many folk traditions but the mystique of a folk "tradition" really worries me, it seems so false. I'm always curious to see how people respond to the notion that we're just making it up for fun for ourselves as we go. I think that is the tradition I'd really like to pass on - diy artistic fun.

Friday, 24 December 2010

Introduce a harp...

http://www.philharmonia.co.uk/thesoundexchange/the_orchestra/instruments/harp/

The Philharmonia orchestra has a great little sight introducing various instruments. The link for harp is above.

Wednesday, 22 December 2010

Time to upgrade the tech... and the technique

I'm looking at amplifying my harp better. Next stop is playing with a guitar preamp, see if I can boost the upper register and not have so much bass while keeping a good warm sound.

Regarding technique, I've got two things in mind - making an albums' worth of material to finished polished standard and solving the next weird RH problem. Something odd with the bend and straighten in Mr Stump. Hoom.

Wednesday, 10 November 2010

One very busy month and a huge wodge of change...

Between now and the 8th Oct, I have moved twice house, done a years tax accounts, fixed my car, started a new job and been bridesmaid to my best mate. It's been epic. Very little time for imagination. Still, at least I know I can graft like a bastard. Like all really horrid times it's been useful in a clarifying kind of way.

**NB. Wedding was not horrid but lovely & excellent**


Somehow I'm almost out the other side - I got properly bored tonight and had a bit of time to reflect. Tired and bored and grumpy go hand in hand for me but thankfully often bear useful fruit. In this case I learnt how to use twitter a bit more (requirement for new job), skimmed fRoots and realised I should listen to Martyn Bennett. I also realised that my whinge on this blog about working on my own back in the summer has now been fulfilled.

The new job brings me work colleagues: hurray! We're not exactly in the same office (remotely working: first skype conference call on Monday) but we are working together. I'm enjoying having colleagues to go heeeeelllpppp!! to or just giggle about our work. It's so much more fun to work with other people.

It's also a completely different kind of work to get my head around. I wasn't ready to get on with album-y stuff and was a bit bored with what I did have to work on. It's funny how the right amount of busy-ness can bring you extra focus. Perhaps it's the right amount of excitedness.

In other chunks of change, the new house is quiet, clean, warm, tidy, with nice friendly house mates and basic working facilities like cookers and washing machines (lacking in my previous establishment). There's a garden and I can park easily. My lungs don't hate me and housemates are out in the day so there's plenty of noise making time. I think long term housemates will probably be fun. I can teach. There are a lot of upsides.

The downside is I miss my noisy, dirty, smelly, barely see anyone room above a pub that was right in the centre of town and full of people and music. I might never have got a good nights sleep but I was never bored. I miss cooking dinner with people playing jazz underneath me, or watching the world go by out of my front window. I miss the sound of college bells in the evening and the "terrace" - sitting half in half out of my window ledge and leaning into the courtyard. I miss all my neighbours and the sense of being connected up with a city. I miss the park out the back with the river.

Where I lived was pretty damn close to an artsy commune. We ran a ceilidh in the courtyard out the back in summer and had to stop every now and then to let cars go past. I knew my housemates before I moved in so the fact I am a loud disorganised enthusiastic curious messy happy changeable person was obvious and had space to exist and didn't impinge on anyone or need to be quashed.

Right now I live in silence and neatness and that careful careful exploration of space shared with other adults. I hope I discover I live in a space where it's ok to be pretty silly: invent a song about your dinner being a fish and make someone else laugh rather than wince. I briefly lived in a housesit this month and found that I could indeed make up fish songs and make the owner laugh. That was a good day.

As my musical life is not going to happen beneath my feet I want to invest more time going out to play with other musicians. This used to just happen but now I'm going to have to do the far scarier thing of going out and finding new spaces and introducing myself. To be fair though I wanted to do this before but had no incentive and no energy. Hopefully a quiet sleeping space means more fun time long term. I need to re-jig my working week though - I have too many nights taken up away from home. I'm not sure how that is going to happen. Time to look at priorities anew...

... and on with the next adventure.

Friday, 24 September 2010

Brendan Breathnach

Brendán Breathnach was an Irish piper and a music collector. I first got interested in him after hearing another harper had found nice, simple tunes in his collections. I like the older sounding, slightly more stark Irish tunes and his collections sounded like a possible source. His collections are called Ceol Rince na hÉireann vols 1-5.

Wikipedia has a nice article:
http://en.wikipedia.org/wiki/Breand%C3%A1n_Breathnach

Also by TG4 -
http://www.youtube.com/watch?v=q9AG2AC7LdE

Someone doing some indexing work using Brendán's collections and interfacing it with an ABC search:
http://msikio.online.fr/Breathnach/bbcode.htm
A nice detail from the video link below is that Brendán included name and location of each tune in his index allowing him to build up a "map" of where each tune was played. I don't know if he ever publishing this as a map - I'd love to see it. Might work incredibly well as an online thing - you type in a tune name and the bits of the map flash green where that tune was known.

Long interesting biogrpahic article from the Journal of Music:
http://journalofmusic.com/article/301

JStor has links to another article:
http://www.jstor.org/pss/20522525

Thursday, 2 September 2010

Lilting on the Comhaltas site

http://comhaltas.ie/music/tag/Lilting

Comhaltas tag system makes stuff really easy to pull out. Hooray.

Irish lilting of tunes: video and audio.