Sunday, 4 October 2009

Motivation within a group, improvisation and social music

I went on a community music "Group dynamics" course run by Music Leader a couple of years ago. One of the main things that stuck were ideas on what motivates people within a group, i.e.

belonging - competence - autonomy

So feeling motivated within a group is easiest when:
  • you feel like you belong, there is a place for you
  • you feel that you have something to give, that your skills are valued
  • you feel that you have some choice over what to give, you're in charge of you

I feel that folk sessions fit this exactly. At a session, where you met voluntarily in the pub, if you turn up with an instrument you can become part of the session - belonging. Part of the way folk music works is you can subtly alter the music with ornamentation. This means that many people can play the same tune while all playing at different skill levels and all having responsibility over their own part - competence and autonomy.

I feel that all improvised music allows this balance - that you are playing with what you have, not what you don't. For me, this is a defining feature of social music - that it welcomes all without constraining any.

Thursday, 1 October 2009

Planning a musical career

The most exciting but also most scary bit about being a musician is the immense freedom of how your career can work (or not!!). Most people I know have a portfolio of work, that is a mixture: a balance of performance, function work, teaching, workshops, funded projects... also merchandising sales: publications, cds, digital sales, merchandising itself (if they have a brand), licensing of music for film and tv.... Just figuring out how to make an income from music is extremely difficult and requires you to think creatively itself!

Anyway right now I'm just beginning to think about this. A friend sent me this link which I shall read with interest.

http://www.zoekeating.com/blog/2009/09/deep-thoughts-on-my-music-career.html

Thursday, 24 September 2009

Meta

The thing about living with problems is that not only do you have to find new methods to get past those problems, sometimes you have to create new approaches to find those new methods. So, I think about thinking sometimes. I use this blog to reason a lot of stuff out, so from time to time there will be something a bit obscure tagged "meta". Ignore or read - your choice.

Thursday, 17 September 2009

More mouth music

One of the great finds of Towersey for me was see JigJaw (http://jigjaw.co.uk/) -

"JigJaw combines the percussion and passion of dance traditions with vocal harmonies in a tight, scintillating quartet of singing and dancing talents!"

They were fab to watch. Also to their credit was the calm with which they experience drunken enthusiasts at a midnight spot in the ceilidh in the dance tent...

Anyhow these guys are probably going to be my next stop in looking for mouth music in English. Marvellous

Wednesday, 16 September 2009

The harp session and this September's concert

I run a harp session. In summer 2007 I suddenly got it in my head that I wanted to start a harp session. The sessions in Edinburgh were so much fun - that mix of playful music making, meeting other folk who loved harps and playing lovely tunes suited for harps is really a winner. I started the harp session in July 2007 and just over 2 years on we have more support than ever. The pattern we've settled into is I teach two news tunes in the first hour, thereafter it's an open forum for tunes. Initially working by ear was very foreign to some folk, the two years haven't always been as easy ride and I think I've learnt as much as they have! I'm very grateful that the sessioners have stuck with it, everyone is a much stronger ear player than they were and it's getting easier and easier to have fun with the tunes now.

Out of this session has come an ensemble. One of the most fun but difficult things I do is to facilitate / create a performance out of the ensemble. I'm trying to open it up to as many people's input as possible while keeping the final performance fairly good - a tricky balance to strike! The concert we're doing is about 50 mins long, so long enough but not too much. Each concert we're allied with a different charity, good for us and good for the charity. This time it's the Medical Foundation for the Care of Victims of Torture (www.torturecare.org.uk).

The first concert we did was pretty terrifying, certainly for me and I think pretty daunting for all of us. We got an enormous amount of support from the audience, as well from each other, it was lovely. This time round we are coming to the concert from a completely different place: there's an expectation to live up to. We've got more members and a different mix of repertoire. I expect next time will be very different again. I'm looking forward to it.

So: if you're free on the 27th Sept and can space £6, get yourself to the Quaker Meeting House, 43 St Giles, Oxford (opposite the Lamb and Flag pub) for 3pm. Hope to see you there.

Tuesday, 15 September 2009

New term ... new projects...

All very exciting but very busy!

New performance - harp duo with Tori Handsley - Harps Restrung...

Steph West is joined by Tori Handsley: two harpists with a shared love of dancing rhythms, vivid chords and a free flowing melody.

Each brings influences from her respective traditions: Steph - early music, English & Irish folk; Tori: Jazz, Latin and Classical. Together they explore a funky and percussive sound world of tunes, songs and groove.

Tori and I are going to play in Brick Lane as part of a 3 day festival:
"15 minute factory brings together new and cutting-edge acts from across all art forms, blurring the boundaries between performance, art and music."
http://15minutefactory.blogspot.com/
We're on early Saturday evening.

New teaching challenges too... more Irish harp classes, a new adult class and other exciting bits and pieces. Also: more time to reflect and plan. Hurrah.

Tuesday, 1 September 2009

Favourite compliment ever

I spent bank holiday weekend at Towersey festival. I bumped in a melodeon player who I'd done a ceilidh gig with a few months ago. We were chatted about operations etc and I mentioned my hand.

"Oh - I never noticed" he said. "You play like it doesn't matter."